Merrick Anton Hughes (Organ) Merrick caught
the acting bug after getting a small role in his high school production
of Philadelphia Here I Come! He has been acting ever since. His
most recent appearances on stage include Cupid Misfires His Eros
and Journey to the Center of the Journey as a member of the Sha-na-na
Musical sketch comedy team.
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Tim Carroll (Tartuffe) returns to the
Stage Center having appeared in the 2000 production of Triumph of Love.
Since then, he has graduated from Northeastern, finally ending a college
career that began during the Reagan administration. With that accomplishment
behind him, he looks forward to this current challenge of appearing in
a Moliere classic.
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Hamid Chaudry (Cleante) Happily this is
Hamid's second show at NEIU; last semester he made his debut in Water
and Wine An economics major and Sociology minor, Hamid looks forward
to graduation. He teaches martial arts at University of Illinois at Chicago.
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Manuel Valle (Damis) At 18 years old Manuel
already boasts an impressive resume. A singer as well as an actor, he has
performed at Navy Pier, DePaul University, senior citizens' homes and McDonalds.
Currently he is working at the L 'Opera Piccolo in La Bohemme.
"Thanks to Ms. Pauley for building up my hopes to achieve anything impossible.
Like I always say, this is not the last of me you 're going to see! This
is just a start!"
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Ben Fishbein (Valere) is a Northeastern
senior majoring in Eng-lish. He will graduate in May and will begin working
toward an MFA in creative writing this fall. Last spring he performed in
Northeastern's production of The Musical Comedy Murders of 1940.
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Carolyn Elizabeth (Flipote) Carolyn
is pleased to be back on stage after assistant directing two previous Stage
Center productions. She would like to thank all of the brave men
and women working to prevent war.
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Michelle-Marie Merrick (Pernelle) is delighted
to be returning to the Stage Center as Madame Pemelle in Tartuffe
and working with this wonderful cast and crew. She has previously been
seen here in Scaramouche, The Curate Shakespeare As You Like
It, Ramshackle Inn, and The Musical Comedy Murders of 1940.
Currently you may also see her during the day at the Stage Center's A
Child's Garden. Michelle Marie is a theatre major here at Northeastern.
She 'd like to give thanks to the family, friends and all the people that
help her along the way. Peace and Love to all.
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Angela Walsh (Elmire) A Chicago native,
Angela has just recently re-turned to the stage after a five year hiatus.
Prior to Tartuffe, she took part in children's theatre as the Grasshopper
in Aesop's The Ant and the Grasshopper. An admirer of classical
theatre, she has also appeared in Shakespeare's A Midsummer Night's
Dream. Angela is thrilled to be back onstage fulfilling her passion
and lifelong dream.
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Bernadette McHugh (Dorine) has recently
finished a national tour with the Repertory Theatre of America. Her roles
included Eve in The Diaries of Adam and Eve, Gus in Cooking with
Gus, Muriel in Plow Suite, and Irene in Murder.com. Originally
from New York City, Tartuffe marks Bernadette 's Chicago theatre
debut.
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Angela DeMarco (Mariane) Last seen as
Helsa in Musical Comedy Murders and Gwendolyn in The Importance
of Being Earnest, Angela is delighted to play Marianne with this extremely
talented cast. Favorite past roles include Ado Annie in Oklahoma
and Jan in Grease at Pheasant Run Dinner Theatre. Thanks to all
my friends, who are therefore me and to my husband-Hove you too much!
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Will Aragon (Loyale/Officer/Laurent) a
student at NEIU, is honored to work with such a talented cast and crew.
"You 're all so wonderful." You may have seen Will in NE/U's children's
theatre productions of Scaramouche, Beauty and The Beast and in
the Studio Series production of The Cuban Swimmer. Tartuffe
is Will's first main stage production and he 'd like to give thanks to
Jen for this wonderful opportunity. He hopes to continue on the road to
success one step at a time.
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Jen Goode (Director) J. Kingsford Goode teaches
history of the theatre at DePaul University where she is an adjunct faculty
member and where she attended the graduate directing program. In New York.
among many other things, she directed an incarnation of the Thirteenth
Street Rep's I-Land, Tissue, at The Work House Theatre, and Seeking
Superheros at the Harold Clurman. An actor as well. Jen attended and
was a company member of the American Academy of Dramatic Arts, also in
New York. In Chicago she has appeared in Romeo & Juliet, Whale Music,
Equus, Flood, Dancing at Lughnasa and The Grapes of Wrath directed
by Michael Maggio at the Merle Reskin Theatre. She looks forward to appearing
in NElU's production of The Good Doctor on this stage in April.
Director's Notes
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Sonja Thrush (Asst. Director/Stage Mgr.)
Sonja Thrush is thrilled to say
That she will graduate this May
And though her time at NElU's been fun,
She'll be very glad once it's over and done!
Thanks to Jen, the cast and the crew-
"It's been a pleasure working with you."
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Moliere
(1622-1673)
...Although the king came to his rescue in 1664 by standing as godfather
to Moliere's first child, the playwright embroiled himself more deeply
in controversy with Tartuffe, a play about religious hypocrisy. So vicious
was the reaction to the play (one church-man called Moliere "a demon")
that the play was withdrawn. Despite the obvious public interest in the
play and repeated efforts by Moliere to secure the King's permission to
restage the play , it was not performed again until 1669.
...Finally in 1673, he performed for the last time in his own last play. Moliere died hours after performing the lead in The Imaginary Invalid. The company had known of his illness and tried to prevent his performance, but he insisted that their financial security was dependent on him. Moliere was denied a church burial because actors were not allowed the sacraments, and only a special request by the king allowed his friends to bury him at night on February 21st. The people whom he had supported and to whom he had quite literally given his life were with him at the last.
from A Cultural History of Theater By: Jack Watson & Grant McKernie Chapter 8 (p 183)